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Download e-book for iPad: Blood Count by Robert Goddard

By Robert Goddard

ISBN-10: 0552161306

ISBN-13: 9780552161305

There's no such factor as effortless cash. As doctor Edward Hammond is set to determine. 13 years in the past he played a lifestyles saving operation on a Serbian gangster, Dragan Gazi. Gazi is now status trial for battle crimes within the overseas courtroom within the Hague. After his existence used to be stored, his males went directly to slaughter millions within the Balkan civil wars.

Now Gazi's kin wish extra from him: in trade for conserving Hammond's soiled little mystery, they need him to discover for them the guy who holds the most important to the entire cash Gazi squirreled away earlier than he was once locked up. yet Italian financier, Marco Piravani, doesn't are looking to be stumbled on, now not by means of Hammond, no longer by means of an individual. No quicker has Hammond tracked him down, than Piravani has disappeared back.

His pursuit will take him first to the Hague, after which to Milan to discover the Italian, after which eventually again to the scene of his crime, Belgrade, the place he needs to confront the choices he as soon as so simply took. merely then will he have the capacity to lay the earlier to relaxation.

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Extra resources for Blood Count

Sample text

The opening section establishes a dual historical context for understanding contemporary American interest in serial murder, the first concentrating on the moment serial murder became defined as a particularly American crime, and the second solidifying the “Americanness” of serial murder in a way that is still extremely influential today. The second section updates the historical context by emphasizing how serial murder has been adopted and adapted by American popular culture in order to both focus and dissipate anxieties about the nature of celebrity, the relation between normality and monstrosity, and the place of violence in sexuality.

For example, in The Whitechapel Murders, or the Mysteries of the East End, a pamphlet published by the London firm of G. Purkess in the midst of the 39 the victorian killer as media star murders and consisting of a strange combination of reproduced inquest testimony and fictional detective story, the anonymous author claims: “Brutality in the shape of bloodthirsty hacking was an aggravation for which English society, with all its sins on its head, declines to be responsible. When stories appear in the newspapers of atrocities on dead bodies we can generally boast that they are committed in a different latitude, and belong to a lower civilisation than ours.

By reconstructing these debates, I will demonstrate how the contemporaneous response to Jack the Ripper and H. H. Holmes, a response torn between ejecting these figures from the public sphere altogether and turning them into forms of lurid entertainment, inaugurates the ongoing debate about whether famous serial killers are the consummate insiders or outsiders of American culture. Fear, Enjoyment, and the Ripper Industry There is no denying the fact that a large part of the British public’s reaction to the Whitechapel murders was abject fear and panic.

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Blood Count by Robert Goddard


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