By Mr Phil Rusell
Past The Darkness is a consultant to a few of the main surprising, demanding, and arguable motion pictures ever made. in addition to plot synopsis, research, and heritage at the administrators and actors, there also are information on censorship and the talk sparked. The publication additionally comprises chapters on Spanish Horror less than the Franco regime, the CAT III phenomenon, Mondo videos and shockumentaries, and an interview with mythical underground filmmaker Nick Zedd. every little thing from tremendous price range mainstream motion pictures to arthouse oddities and obscurities and underground flicks are coated. during this booklet you are simply as prone to examine despised filmmakers akin to Andrey Iskanov, Fred Vogel, and Uwe Boll as you're such important artists as Abel Ferrara, David Cronenberg, and Lars Von Trier. With greater than one hundred sixty movies lined it is a must-read for somebody drawn to the darkside of cinema.
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Additional resources for Beyond the Darkness: Cult, Horror, and Extreme Cinema (Volume 1)
Co-directed with Richard Kern (it's also included on Kern's Hard Core Collection). A tranny reads a book on suicide. Zedd walks the streets. Tranny gets into the bath and slashes her wrist. Zedd enters the apartment and takes a shit without noticing the bloody corpse in the tub. He takes a picture of Jesus off the wall and wipes his arse on it, and then notices the dead tranny. He then fucks the corpse in the mouth and squirts half a gallon of spunk on its head. He walks out onto the rooftop of the apartment and gazes at the New York skyline.
Rather than being content to seek out random, directionless entertainment, as mainstream film fans do, devotees of the darker side of cinema are more willing to discover these oddities for themselves. For example, it was only a few short years ago when the usually reliable IMDB listed just a handful of films by Japanese provocateur, Hisayasu Sato. But the last time I checked that number had grown to more than 50! Barely any of his films have had a DVD release in the West, but with the recent success of Rampo Noir, cult movie fans are quickly catching up with the filmic output of this extraordinary director.
The camera prowls along investigating the lifeless slabs of meat whilst Verdi's Requiem plays out on the soundtrack. It's a film that is tailor-made to kill your spirit; one day it will be your corpse laid out on a slab similar to the ones in Aftermath, and it's that helpless identification with the subject matter that affects viewers the most: It's personal, it makes you feel vulnerable, it presents to you your own mortality that is both natural and open to abuse. And of course, most people don't want to be reminded of such things.
Beyond the Darkness: Cult, Horror, and Extreme Cinema (Volume 1) by Mr Phil Rusell