By Jason Pugatch
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Extra resources for Acting Is a Job: Real Life Lessons about the Acting Business
Higher-priced balcony seats were filled by students and intellectuals, while the plebes occupied the standing-room area on the floor. They soon became known as groundlings, and actors had to fight, literally at times, to keep their attention. Industry cropped up around the theater—namely prostitution and larceny. Theaters were not allowed inside city limits. ” Try as it might, the theater’s association with moral turpitude continued. Actors whose companies might be performing before the court one day would be back dodging tomatoes the next.
No. Here’s what there is. There is belief in yourself. There is a support network. There is the fact that endurance and patience are perhaps the most important skills an actor can have. And, most importantly, there is a need for you to be well informed. Misperceptions prevail. Actors, with visions of Hollywood stardom, Broadway careers, or even a simple life of consistent employment, have been misled by an industry that sustains itself by leeching off the dreams of the uninformed. Each new generation of actors, and the general public they entertain, has no idea of the actual happenings in an actor’s daily life.
And Hollywood took note. Brando and the Chicken There’s an acting class tale that, in its various incarnations, exemplifies the quality of the naturalistic style of acting that was taking form in America in the fifties. Details vary from version to version, but the one I know goes like this: One day, Stella Adler led an acting class where she would call out a character and a situation and all the students in the class would impulsively react. ) In one moment, she instructed everyone in the class to become a chicken at the barnyard, and the flock of students began clucking and pecking their way around the room.
Acting Is a Job: Real Life Lessons about the Acting Business by Jason Pugatch